Today is of course Back to the Future day, the day that Marty McFly traveled to in 2015. And it got me thinking about the DeLorean and how it was in multiple places at the same time in the movies.
Specifically it is in four places at once on the day of the Fish under the Sea dance, 12 November 1955.
1 – The original Delorean from 1985 arrived back in 1955 with Marty McFly making his first visit. Marty initially hid it at the entrance to Lyon Estates which was under construction. Later Doc Brown recovered it and stored it in his workshop for a week until the night of the Fish Under the Sea Dance.
2 – A ‘borrowed’ Delorean from 2015 arrived in the afternoon of 12 November 1955 so Old Biff could give the Almanac to Young Biff on the day of the Fish Under the Sea Dance. The Location where he parked it is unknown.
3 – Doc and Marty traveled back from Bad 1985 to 12 November 1955 in order to stop Biff using the Almanac and changing the future. They hid the car at the entrance to Lyon Estates.
4 – While all this is going on the broken DeLorean that took Doc back to the Old West was stored in a disused mine for 70 years from 1885 to 1955, so it’s still there while the events of BTTF2 are unfolding.
So in summary there’s a DeLorean in Doc’s workshop, one in a disused mine, one at the entrance to Lyon Estates and another one unaccounted for.
The same car in four places, all at the same time.
Please note there are spoilers contained in the following.
I’ve seen Ridley Scott’s new movie The Martian and here is my review.
I suppose I should preface this review by stating that this is exactly the kind of movie that appeals to me as it’s a very “nuts and bolts” depiction of near-future space travel that for the most part obeys the laws of physics.
This movie is based on the novel of the same name by Andy Weir which is an entertaining page-turning thriller about how a lone astronaut could survive on Mars by using his knowledge of botany and chemistry and whatever resources were available.
The movie of course stars Matt Damon as astronaut Mark Watney who gets stranded on Mars after the Ares III mission is aborted. His five colleagues leave him behind believing him dead. When he recovers consciousness he discovers he’s has been abandoned and he has no way to communicate with Earth. As with the book he inventories his food supplies and starts to grow potatoes to have enough food to last the four years it could take to get a rescue mission to him.
Of course as the story progresses various problems are thrown an him, some of which are immediately life-threatening, and he has to deal with each of the problems as he goes.
The movie is largely faithful to the book with most of the main plot developments included. Some sequences were excised to keep the running time to two hours, for example some incidents in Watney’s journey across Mars were dropped from the book.
The movie does not stick with Matt Damon through the whole running time. It splits it’s time between Watney on Mars, the five other Ares crew members on the spacecraft Hermes returning to Earth – initially unaware that their fellow crew-member is still alive – and the NASA people back at Mission Control on Earth.
Obviously of the cast Matt Damon has the largest chunk of screen time. He has to make his video diary entries an engaging way for the audience to see how he is solving the problems. As with the book the character uses his sense of humour to survive. However Damon does get to do what I call “The Acting” at versions points such as when he re-establishes communication with Earth and when he finally makes it to the craft that could get him off Mars.
Out of the Hermes crew I would single out Jessica Chastain’s mission commander Lewis. I’ve been a fan of hers for the last few years and she shines here with a prominent role feeling guilt for leaving one of her crew behind and a determination to rescue him. Incidentally she was in Christopher Nolan’s science fiction movie Interstellar which also featured Matt Damon, although If I recall correctly they didn’t share any screen time.
Out of the NASA staff back on earth I want to mention a rumpled-looking Sean Bean in a supporting role as the Flight Director. It’s always nice to see Sean Bean in big Hollywood movies and sticking with his own northern English accent.
By the way there is a Lord of the Rings joke in the movie and it was only the next day that I realised that Bean, one of the Fellowship, was in that scene.
A recurring joke in the book concerns Watney being forced to use the entertainment files of his fellow astronauts. Lewis it turns out is a fan of the 1970s and has episodes of tv shows like Happy Days and lots of disco-era music. The movie takes this detail a humorous step further by having suitable disco-era music played as the movie’s sound track at suitable moments.
The depiction of Mars is pretty stunning. There a a few moments of Watney alone in the Martian landscape that are memorable. Also some of the aerial shots of his rover trips are glorious. Arguably the landscape of towering cliffs is not accurate to where NASA would send a mission but I guess it makes things more visually interesting than the flat floor of a crater.
I found the final act of the movie to be the most exciting. Much of it deals with the Hermes spacecraft approaching Mars to intercept Watney’s capsule. This section of the movie takes account of how real spacecraft would actually be manoeuvring and the audience gets a glimpse of how orbital mechanics would be used to adjust intercept speeds and distances. It’s done in an exciting way as the clock is ticking and each thing the crew does to get closer to Watney produces another problem that they must solve with their limited fuel. Finally we get a spacewalk sequence (not from the book) that must have been influenced by the movie Gravity but is no less exciting for it.
(The Martian continues the trend of recent science fiction movies that include a large dose of science fact. Gravity arguably isn’t science fiction at all and interstellar has a very fact based look at space travel.)
As much as I like Ridley Scott’s movies across all genres after seeing The Martian I can’t help but wish he had done nothing but science-fiction since Alien and Blade Runner. At least he’s rectifying things with this movie and the upcoming Alien prequel.
For the time being this is probably the best Ridley Scott space-based science-fiction movie since Alien. (Well ok, his only other space-based science-fiction movie between Alien and The Martian is Prometheus so there’s not a lot of competition.)
But it’s also one of Ridley Scott’s best movies of any genre. And it’s one of my favourite movies of the year. I look forward to buying it on Blu Ray.
Normally when I write my reviews I always end up regurgitating what happened in the episode. And actually that’s not really what I want to do. I want to focus more on the stuff I did or didn’t like in an episode. So I’m going to try to do that with this review.
So in summary. This is part two of a two part story. Last time the Doctor traveled back in time without Clara, following which his “ghost” appeared to Clara implying that he had died. In this episode we see the events in the past (the 1980s I believe) and the future (22nd century) unfolding in tandem with the Doctor able to talk to Clara in the other time period. He gets a shock with the discovery that he has a “ghost” and eventually he faces the Fisher King whose technology was responsible.
At the start of the episode before the credits there was a scene with the Doctor talking directly to the audience. He’s describing the Bootstrap Paradox where s time-traveler goes back in time to meet Beethoven only to discover that the composer never existed. The time-traveler then has to copy out Beethoven’s music so it is not missing from history. So the paradox is, who composed the music?
While lots of Internet people were upset with this talking-to-audience development I kind of liked that sequence. At first I actually thought he was talking to the two guest companions who were with him and it was from their point of view. It also reminded me a bit of the start of the episode Listen where he does something similar. So I didn’t mind it at all.
The episode also incorporates a time loop with the Tardis going back in time about thirty minutes or so. I do love time loop stuff. I loved that the Doctor and the two “guests” had rematerialised just around the corner from their first iterations and we can see both sets of people at the same time. Also the second set get to observe the actions of the first set. I actually wish they did more of that kind of thing. I kind of hoped there would be more material with the second group following the events of the first group than there actually was.
Later the Doctor meets and confronts the mysterious Fisher King who had been in the alien spaceship. At one point there was a moment where the Doctor was backing away from the alien towards the opened suspended animation pod thing. And I thought, “hang on a second…” I thought it would be fun if the doctor was in the pod in the future. And that is exactly what happened. So the Doctor ended up in the life pod thing and was under the water for a century and a bit until the crew of the base recover it.
Actually I really enjoyed how the events on the two different time periods linked together. The Doctor being in the pod for over a century sort of reminds me a little of the DeLorean in Back to the Future III, sitting in that abandoned mine from 1885 until 1955 waiting to be dug out.
(I think I once worked out that the DeLorean is in four different places at the same time in 1955 across all three BTTF movies. But that’s a topic for another post. Perhaps one to be written on 21 October 2015 perhaps…)
Some of the sequences set on the underwater base were very tense. I think my favourite bit was when the deaf crew-member Cass was walking down the corridor and we saw her point of view with a silent soundtrack. And behind her one of the ghosts appeared with an axe… And she can’t hear him! That was tense. I figured she might feel the vibrations of the axe dragging on the decking. This is what happened and the makers of the show depicted it with a little Daredevil homage, the outline of the axe appearing in negative. Although some internet people are annoyed with this as it implied that she had “superpowers”. Calm down, Internet people, it’s just a way to portray the vibrations.
And for once I cared a bit about the guest star folk and wanted them to survive. Must be good casting or good acting or both.
At the end of the episode we discover that the Doctor Ghost was not actually a ghost at all. Instead it was a clever hologram he created with the fore-knowledge of what it needed to do in the future.
I don’t think I worked out the Doctor Ghost was a hologram but I was pretty sure it was some alien transmission that the Doctor worked out how to send to Clara, like hacking into the Fisher King’s technology that created the ghosts. I guess hologram is easier to explain.
Anyway, it tied in nicely to the whole Bootstrap Paradox that they had gong on.
Yes, I really enjoyed those two episodes. And the added bonus of absolutely no Missy.
There. I’m not convinced that’s any more successful of describing the events of the episode. We’ll see if I do that again.
After all the Dalek-Davros-Missy shenanigans which probably stretched continuity to breaking point last week it’s nice to have a standalone adventure. And pleasingly this one harks back to the well-established Base Under Siege template that became a staple of the show back in the 1960s mainly during the Patrick Troughton years.
The crew of a twenty-second century underwater base located under a lake on the site of a flooded village have recovered something that looks like an alien spacecraft. As they investigate it a ghostly figure appears. It activates the engines of the ship which kills the base commander. Then the base commander appears as a second ghost.
The Tardis materialises on the base and the Doctor and Clara encounter the ghosts. There’s a nice bit of business with the ghosts attacking the Doctor and Clara with an axe and a harpoon gun that they can just about manage to hold despite being mostly incorporeal.
The Doctor finds the other members of the base crew hiding out in a faraday cage, a room with electromagnetic interference. For some reason it prevents the ghosts from getting inside. Another interesting fact is that the ghosts only come out at night. “Night” being an artificial night from the day-night rhythm the base uses.
And somehow these ghosts are interacting with the technology of the base. They manage to turn “day” to “night” early and make an unexpected appearance which increases their number. Later the stakes are raised by the ghosts summoning a rescue sub to the base using morse code.
The Doctor notices that the ghosts appear to be trying to say something. He wants to catch them and there’s a pretty exciting sequence with the ghosts chasing different members of the crew through the corridors until they are cornered in the faraday cage room.
There the doctor gets the lip-reading member of the crew to work out what the ghosts are saying. That clue leads him to recovering a life support pod that had been in the alien ship.
Towards the end of the episode the power fails and part of the base is flooded. The Doctor and Clara get cut off from each other. The Doctor decides to take the Tardis back in time to before the village was flooded to find out what happened with the alien ship and promises to come back for Clara.
As the Tardifs dematerialises Clara sees a new ghost appears outside the base. It is of course the Doctor. It’s a great cliff-hanger, although it is slightly reminiscent of the one from series 4 in the Library two-parter. You know, “Donna Nobel has been saved.” That one.
Still, this was a very entertaining and gripping episode. Capaldi is on good form as a Doctor that is fascinated that ghosts might actually exist. Clara has to remind him not to say inappropriate things by producing a set of prompt cards so he can read “sorry for your loss” unconvincingly.
As with most of the stories in series 9 this is a two-parter and works well for having the cliff-hanger and the continuing mystery of what happened in the village before the flood.
And so on to part two of the season opener. To recap in the last episode lots of stuff happened that had very little to do with anything. And a dying Davros wanted to see the doctor.
The cliffhanger of course had Missy, Clara and the Tardis zapped by the Daleks. This episode wastes no time with any misdirection. Missy and Clara are safe and well outside the Dalek city. Missy explains that she programmed their time jumper bracelets to absorb Dalek weapons fire energy and teleport them away. Or something daft.
Missy and Clara make their way back into the Dalek City by going through the Dalek sewers, which are basically tunnels with lots of old used-up Dalek innards. I mean the actual living creature that lives in a Dalek machine. This will prove to be A Very Important Plot Point.
Meanwhile the bulk of the episode deals with the Doctor and Davros. The Doctor is a bit miffed that Clara has been exterminated. For a while he is so miffed that he actually extracts Davros from his chair and drives around it in. Seriously. It’s in the episode.
But later when a recaptured Doctor reveals that Gallifrey wasn’t actually destroyed and is still out there somewhere Davros says he’s pleased for the Doctor because it means he’s no longer alone.
And Davros uses his own eyes to see the Doctor. Yes, there are actually eyes in there somewhere which was kind of cool. And then the next thing you know the Doctor and Davros are all best buddies and sharing a joke. Well, Davros is dying, isn’t he? But it would be so nice to see the sunrise again with his own eyes…
The performances by Capaldi and whoever is in the Davros makeup do sell this very well, that these two old enemies could be possibly becoming friends.
The Doctor gives Davros a bit of his regeneration energy to help Davros see the sunrise. But it’s a trap! It’s all a trick and Davros is stealing the renegeration energy to feed his Daleks and turn them into some sort of regenerated Daleks.
But there’s a double-bluff type of thing going on. The Doctor is aware it’s a trick and he allows it to happen because he knows his regeneration energy will make the sewer Dalek creatures (remember the Important Plot Point) regenerate, and that will cause a Dalek sewer earthquake, or rather skaroquake.
Some of the stuff between the Doctor and Davros is actually very good but the highlight of the episode for me were a couple of very powerful scenes with Clara being convinced by Missy to get inside a Dalek shell in order to escort Missy as a “prisoner” through the Dalek city. I seem to recall this being done way back in the original Dalek serial so there’s a nice symmetry there. And of course the first time we met Clara (or “Oswin”) she turned out to have been turned into a Dalek without realising it.
Once Clara is inside the machine and connected up telepathically to the controls Missy puts Dalek Clara through her paces. She gets Clara to say “my name is Clara”. It comes out as “I am a Dalek”. And “I love you” becomes “exterminate”. It’s initially amusing and then becomes increasingly disturbing.
Near the end of the episode Dalek Clara and the Doctor meet. Of course he doesn’t know it’s Clara inside and Missy tells him it is actually the Dalek that killed Clara. The Doctor understandably wants to destroy this Dalek. A desperate Clara is trying to tell the Doctor it’s her inside the Dalek but ends up repeating “I am a Dalek, I am a Dalek”. Eventually Clara’s pleadings are translated as “mercy” which lets the Doctor know something is amiss. He helps extract Clara from the machine and with a full on Capaldi glower he tells Missy to run.
Of course it’s not wise to leave the Master on a planet full of Daleks. I’m sure this will come back to haunt him.
Oh, by the way the Tardis wasn’t destroyed in the last episode, it was just “dispersed” and the Doctor reassembles it using his sonic…. sunglasses…. Seriously. Face palm. Don’t go there.
The Doctor muses about Clara’s Dalek being able to ask for mercy. How did that get in there? The Doctor then goes back in time and saves Kid Davros from the hand mines, telling him the importance of mercy.
So in summary this was a very strong episode that I enjoyed very much. Indeed much more than the messy shenanigans of the introductory part. The scenes with Clara in the Dalek are the stand-out scenes for me combining great writing and dramatic tension.
As a final note I keep reading that Missy is a “fan favourite”.
Corgi have been making James Bond diecast model cars for fifty years starting with the famous Aston Martin DB5 with the gadgets from Goldfinger.
(Of course Corgi like to keep reminding us that they have been making those models for 50 years. And they keep re-releasing the DB5 repeatedly.)
The latest James Bond movie Spectre opens at the end of October and Corgi have produced a model of the new Aston Martin DB10 that appears in the movie. Here’s the first glimpse of the Corgi model in an advert that appeared in Empire magazine.
The advert is actually for a Scalextric set and they have stuck a photo of the Corgi model at the bottom of the page.
No word yet on the inclusion of any potential gadgets but I wouldn’t expect any.
UPDATE 13 October 2015…
A Hornby webpage shows a rendering of the Aston Martin DB10 model and states it is to be released in January 2016.
Honestly, I wasn’t sure if I was going to bother reviewing this episode of Doctor Who. Mainly because I couldn’t actually work out how I felt about it. Was it good? Was it bad? Was it mediocre? I still don’t know.
Bits of it were good. Some bits were actually very good. But there were other bits. Entertaining bits, to be sure. But the episode felt like someone had taken lots of bits, lots of scenes and stuck them together and said “here’s an episode”.
The problem is that this is part one of a two-part story and I suspect part two might be the part that has the actual, you know, story. Part one therefore is just a teaser. A teaser expanded to 45 minutes.
The episode gets off to a terrific start. There is a war going on somewhere. It might be World War 1 except the biplanes are firing laser beams. A young boy runs into a minefield, except these mines are hand mines, i.e. hands that reach out and grab you by the leg and pull you into the ground. The Doctor appears and promises to help the boy escape. He asks the boy’s name…
“Davros,” says the boy.
Now, that’s just a brilliant opening!
And then it sort of goes downhill a bit.
There’s some guff about the Doctor going missing and no one can find him and there’s this snake dude looking for him. Apparently it’s the Doctor’s last day alive. (Hang on, didn’t they do that in season six with the Eleventh Doctor getting shot in Utah?)
Clara is back to being badly-written smug-Clara and she is helping UNIT investigate why all the aircraft in Earth’s skies are frozen in place. As it turns out it’s actually for no reason, it’s just an excuse for Missy to turn up and be “zany” and “cool”.
Ah Missy. Apparently everyone just loves Missy! Oh look she’s just disintegrated some UNIT security men for a laugh! Yes audience, laugh along with that crazy, zany Missy, isn’t she hilarious!
Well I just sit and imagine the gravitas of Roger Delgado’s Master. And I shrug. It’s just not the same character at all.
Then there’s some stuff with the Doctor in 1138 (AD or BC, I can’t remember) having a party on a tank and playing an electric guitar. Just because. Nothing to do with the plot. Just because.
Eventually the plot returns from its long walk and the snake guy takes the Doctor, Clara and Missy to meet Davros who apparently is dying. And the Doctor is ashamed.
And this is interesting because I wonder, is the Doctor ashamed that he didn’t try to save kid Davros and therefore created the evil megalomaniac somehow? Or is he ashamed that he did save Davros? So I am getting all engaged in the central moral dilemma of the episode.
We are never shown explicitly what happened in the minefield other than the strong suggestion that the Doctor abandoned kid Davros after learning his name. So this is interesting stuff. Plus they use a clip of Tom Baker from Genesis of the Daleks where he gives the famous speech about having the right to change history. (This is either a nice nod to the classic show dealing with the same moral dilemma or it’s hammering it home for a lazy modern audience. I can’t decide which.)
It turns out they have been taken to the Dalek world of Skaro. And we get to see lots of Daleks in a big room with some classic series Daleks mixed in. So that’s nice. And then the Daleks kill Missy, Clara and destroy the Tardis. Apparently.
Oh dear. So that’s Clara dead then?
Except you can be sure part two will hit the BIG GIANT RESET BUTTON (see any episode of Star Trek Voyager for details). So there is no sense of jeopardy. You know Clara and Missy and the Tardis will be back.
And hang on, wasn’t Davros destroyed in that David Tennant story from 2008 or whenever it was? How is he back? And where’s he been since?
I hope part two is brilliant and it makes me reassess part one. I do feel like I’m reviewing only half of the story. I mean I wouldn’t want to watch half of a movie and then review it saying “that was rubbish because there was no ending.”
But at the same time this is episodic television so each episode does need to stand on its own. And this episode was a bit of a mess. An entertaining mess, but still a mess. I do suspect that a one-part story has been stretched out to make two parts.
So as I said at the start I don’t know how I feel about this episode. Other than it had good bits and other bits and they were stuck together to last 45 minutes.